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I know this has made it around the interwebs already, but here it is again: a sad but true tale of my life as an editor.  I was almost brought to tears during the part where the editor calls his family.

Wow!  I just installed this and have already regained 7.2 GBs and it’s not even done!  And in 15 minutes!

Squeeze is a preference pane (in your System Preferences) that runs in the background and auto-compresses your files using Snow Leopard’s new compression technology to compress your files without deleting media or limiting your abilities at all.  It runs in the background, using only free resources on-the-fly to keep you working.  Your files work as usual, but it just shrinks their hard drive footprint.  While I would advise against using this on things like your Avid and FCP projects, because you can ill afford one bit of data corruption, I’ve been using it on my FCP Documents folder, Applications, Movies folder, and am still adding other stuff too!

Usually this software is $10, but for TODAY ONLY, you can get a free license through MacHeist.  Just visit the site and create an account with MacHeist.  This place is awesome to begin with, but today is a extra-special day!

MacHeist via Lifehacker

Hey all.  Do you use stock footage ever?  Think you might want to keep some on hand, for that random occasion.  If you ever need that great clip as a background or insert or establishing shot that you couldn’t go out and shoot, Artbeats is there to save the day.  Well, Artbeats is now giving away one free clip of stock footage every day!  And now you can start building your collection through their Daily Free Clip program.  Just register for an account (also free!) and every day you can download either an HD, NTSC, or PAL quicktime for you to keep.  Unfortunately, they’re not letting people download anything higher than that for free, but who’s complaining?

All of Artbeat’s material is royalty-free unlimited-use, which means that you can use it over and over again without needing to pay them anything, as long as your project isn’t made of more than 25% stock footage.  Right now all the HD footage you get is Photo-JPEG, but the footage looks great and they claim there is negligible loss in quality as a result of the compression.  Obviously, it’s not ideal, but hey, IT’S FREE!  Check it out and get started on building your stock footage collection…

Artbeats.com

Let it just be said that Jay Smooth/Ill Doctrine may be one of the smartest people/blogs on the internet and he/it definitely deserves his/its own TV show.  It’s amazing how an articulate person with a little bit of technology can create meaningful dialogue in ways that were never possible until this century.  He gets my utmost respect and I think you should know about him.  I’ve posted a couple primer videos that are my favorites.  Here is his most recent post giving his own primer: Ill Doctrine/Allow Me to Reintroduce Myself.  Here’s a link to the NPR story too.  Keep up the good work, J.  If you ever need help with your videos, I’m out there for ya.

Interesting post from the ever-excellent Silicon Alley Insider: Sorry, There’s No Way To Save The TV Business

As with print-based media, Internet-based distribution generates only a tiny fraction of the revenue and profit that today’s incumbent cable, broadcast, and satellite distribution models do.  As Internet-based distribution gains steam, therefore, most TV industry incumbents will no longer be able to support their existing cost structures.

Here’s the gist: we’re all going to be out of work in five years.  Well, that’s a bit of an exaggeration, but the truth is that I don’t see much of a future for the industry.  THAT IS NOT TO SAY THAT I DON’T LOVE THE BUSINESS AND WANT TO DO THIS FOREVER, but the fact of the matter is, especially with post-production, job levels are taking a nose-dive and revenue streams are not far behind it.  I mean, we already have internet-equipped televisions, internet video on the rise, and more people then ever on the internet, so the technology is there.  How long before the industry has the rug pulled out from under us, just like the newspaper and record industry?

And things are already dead in this town.  What from the Writer’s Strike, the SAG “strike”, and the down economy, I can’t image jobs ever getting back to the levels they were at when I first moved out here.  I don’t want to say that we’ll never find a way to work, but if you’ve got any ideas, I suggest you pick up the phone and call some industry executives, because they want to know.

Quick link to a recent episode of KCRW’s The Business: Below The Line and Under The Gun.  It’s probably the best description of the job market facing us below-the-line’rs in this town.  Only problem is that it doesn’t even address the job market for post-production, because with the addition of technology to all these problems, editorial staffs have gone from double-digit crews to maybe two or three people for multi-million dollar projects! You want to talk about too much supply vs. demand, here is your example #1!

I’d love to hear what anyone has to say about this.  Hell, talk me down if you think I’m crazy.  I would love for someone to make me feel better about this.  Please comment!

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