Recently, In Lieu Of Flowers, a feature film I edited premiered at the 2013 Newport Beach Film Festival. It was directed by my good friend Bill Savage and starred Josh Pence (Gangster Squad) and Spencer Grammar (Greek). I wanted to drop a few reviews here and show some of the things people have been saying about the movie.
“Savage shows some real potential as a filmmaker with a soft and intimate touch.”
In Lieu Of Flowers is a remarkably touching story, filled with strong portrayals of emotion and most importantly, the advent of friendship. Its real success is that it does not fall prey to genre conventions or force unrealistic goals upon its protagonists. Eric and Rachel are not going to solve all of their problems by sharing a cup of coffee; nor are they going to fall madly in love one night and forget the pain and sadness that has consumed their lives over a given period of time. There is hope, though, and In Lieu Of Flowersnever allows its viewer to forget that essential fact.
Hopefully I am getting across that there are a few flaws but at the same time, some many beautiful powerful moments that help this movie stand above others. […] It definitely left a feeling of emotion for me, which to me is a successful film.
There are many moments in the movie where there are clever witty lines by the characters as the two lean on each other for support through this painful time in their lives. Their relationship with one another slowly evolves but it seems that neither one of them are fully ready to move on to a new relationship.
In my travels, I’ve had to do a fair number of Automatic Duck project conversions. While I was learning this process, I found that there wasn’t much good information containing tips and tricks about making this process smooth. Especially now with the exodus from Apple because of FCPX, streamlining this process is more essential now than ever. I don’t propose to know all the answers, but I thought it was high time somebody started putting down their experiences so that we can start working towards some kind of a “Best Practices” document. I’m humble about my experience here, but I will say that I’ve done it a fair amount and I think my tips are good. I’d love to hear what you think. Please leave a note in the Comments section and tell me what I got right or wrong.
Quick note: What I’ll talk about here is transferring between Avid and Final Cut Pro, because that’s what I have experience doing. However, since Adobe After Effects workflows are prevalent nowadays as well, I’d love to hear about your experiences there. Please, leave comments.
WHAT IS AUTODUCK?
Automatic Duck is shorthand for a number of programs developed by Wes Plate as a way to move editor sequences between Avid/Apple/Adobe products. Now that Wes has joined Adobe, his programs are now thankfully free to download. The apps are basically plugins for Final Cut Pro 7 and Adobe After Effects, so you’ll need one of these apps (as well as Avid Media Composer, if that’s part of your workflow) in order to transfer your footage.
A quick note to update everyone on a “transmedia experience” I edited last month. The project is an interactive video that includes you in the story through emails, phone calls, and texts. It was a collaboration with fellow Emerson alums Landon Zakheim and Justin Gurnari the great crew at Fourth Wall Studios. It was a blast to work on and a lot of fun to experiment with the medium.
Check out this LA Times article written about the company.
Click this screenshot to take you to the site.
If you want to check out the trailer for their other project Dirty Work, you can watch it below.
Okay, just a quick tip I worked out yesterday while I was trying to organize dailies for a documentary I am working on. The producer/directors had organized everything I needed to build out the Avid project on a hard drive: hours and hours of Quicktimes, all sorted out by subject or location. I was going to import them in one fell swoop, but I needed some way to organize the media once it came into the Avid. As it was, all the media arrived in one big bin. This is where the UNC File Path comes in.
For those who don’t know, the UNC File Path is short for Universal Naming Convention and is basically a piece of metadata that tracks the folder directory location of every imported piece of media into Avid. This is how, when you go to batch import, the Avid remembers where your imported Quicktime came from. It records it in the UNC File Path.
So back to where I was. Now that I have all my Quicktimes imported, I needed a way to display the UNC File Paths so that I could organize the media into separate bins. The hard thing about this situation is the the metadata will not display in every type of Avid project. Currently, I’m working in an SD 29.97 project since most of my media is HDV and DV. When I go to my Bin Headings…
…and I try to select UNC File Path, it’s not an option for me.
Ahhhh! Why, Avid, why? Why do you torment me by knowing this information and not displaying it?!?!?
Never fear, though. When it comes to the task at hand, the Avid will give me everything I need. Currently, the UNC File Path will only display in a 24p Avid Project. “But Rob, my project isn’t a 24p project?” No sweat! In current versions of Avid Media Composer, you can still open and view video media of any project frame rate in any other project frame rate. That means that you can still take a copy of your bin and move it into a 24p Project, view everything, organize it into any order you want, and move it back into your native project when you’re done.
Do like I do: create a 24p project with the Film radio box checked. I called mine UNC File Path, so that I can keep it forever.
Now, make a copy of your bin that has the media you want to see the UNC File Path for, and copy it into your new 24p project.
Now a quick caveat to this tip. Thus far, I have not been able to make the Avid display this bin column in every type of project. My tip is limited to bin and clip organization. If for some reason you need to create any media, do NOT do it in your 24p project. Sort the master clips into new bins and bring it back into your native resolution project. Sure, it’s not perfect, but it’s better than what I was doing before I figured this out. Happy Editing!
PS – Oh yeah…hey Avid! Can you fix this please? I shouldn’t need a work around. Lovingly, Rob.